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A solo exhibition by Paul Rooney, the 2008 recipient of the Northern Art Prize. The show centres round a major new film work, ‘Bellevue’.

Bellevue is an intricate, audacious work, shot on location at Harewood House, Leeds. It is based upon Malcolm Lowry’s short story ‘Lunar Caustic’, whose flights of fancy emanate from inside the walls of a 1930s New York psychiatric hospital. Against the idealised backdrop of a picture-perfect English country house, the work depicts an advertising agency focus group discussing the use of Lowry’s writing in a campaign. Bellevue subjects ‘reality’ to various levels of scrutiny; highlighting the potential for imaginative projection, and creative confusion, engendered by the written word.

The exhibition also includes several other new works. ‘Letters that Rot’, 2010, the two screen video work ‘Small Talk’, also 2010, and the sound work ‘Words and Silence’, 2008.

Bellevue is co-commissioned by Film and Video Umbrella with the Bluecoat, Liverpool in association with Harewood House, Leeds and Spacex, Exeter.

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This exhibition brings together the most compelling underwater inspired artworks of the past decade, including painting, sculpture, photography and video works by ten international artists.

Bill Viola presents a mesmerising video where two lovers intertwine as they slowly descend into dark waters. A drawing by Ellen Gallagher conjectures a monstrous creature evolved in the far depths.

Straight from the pages of Jules Verne – a motorised model submarine by Cut and Scrape lurches about in the clutches of a giant squid. More abstractly, Shirley Kaneda’s paintings are concerned with the state of liquidity – her precise yet free squiggles are a play on refraction and reflection.

A Towner touring exhibition curated by Angela Kingston.

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Internationally renowned Dutch artist and engineer Theo Jansen has been developing mechanical, skeletal like sculptures for the last 20 years. Jansen has named these creations strandbeests, which translates as beach animals. The strandbeests are self-propelling engineered creatures which are powered by the wind.

Spacex has co-produced this project for which the artist is creating a major new work, a Siamese twin version of his last work, named Ventosa Siamesis. Each of the twins will be approximately 10 metres long and, under the guidance of the artist, this enormous creature will explore Exmouth beach from 25–27 June, before arriving in Exeter city centre, to coincide with Exeter Summer Festival from 2–4 July.

In addition Spacex is showcasing the first UK exhibition of the artist’s work at the gallery from 15 May–3 July 2010.

15 May 2010

For Random Acts of Art, three artists who emphasise social exchange in their practice, were invited to develop new work over the course of a two-month intensive residency at Spacex. Volkhardt Mueller, Lady Lucy and Amy Feneck researched the social and historical context of the West Quarter of Exeter and developed collaborative projects with people from the area. Each project involved encounters and conversations out and about in the local neighborhood.

Lady Lucy posted invitations to the residents of nearby housing estates Mermaid Court, Neptune Court and Wheatley Court to sit with her at her mobile portrait studio and be painted. The Court Portraits were the result of the encounters that ensued.

Epilogue was a film based on a conversation between Amy Feneck and Terry Timlett, a member of Exeter CND, about Terry’s political activism and his particularly ‘independent spirit’. The latter was a term the artist heard used in association with the West Quarter and took as her starting point.

Majorette Rehearsing was Volkardt Mueller’s portrait of the built environment, which unfolds through ten digital trajectories. The majorette being Muller’s West Quarter archetype: a paradoxical figure of individual aspiration, community celebration and carnival.

The artists used the galleries at Spacex as studios and a base for research and meetings; inviting people in for discussions, recording sessions and tea parties.

From 24 April–1 May the gallery spaces were opened to the public for an exhibition of all the work produced and a series of events lead by the artists-in-residence and local artist collectives. The week ended with a celebratory May Day tea party.

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Every year Spacex hosts a night of artist film, screening a cross section of current practice from artists in Exeter and across the south west who are working with the moving image.

This event is free and open to all. Booking is essential, to reserve your place please contact Martha Crean on 01392 431786 or

To apply to have your film screened please read the submission requirements and download and fill in the application form.

Please post your application form along with a copy of your film on DVD to:

Martha Crean
45 Preston Street
Ex1 1DF

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This winter Spacex will present a solo exhibition by London based British filmmaker Emily Wardill, one of the UK’s most exciting young artists, described by the Guardian as unafraid to ‘put her viewers between a rock and a hard place’.

With her new work, Game Keepers Without Game, Wardill presents a powerful and contemporary feature length movie that tackles difficult social issues without compromise.

The formal structure of the film is based on Pedro Calderón de la Barca’s Life is a Dream (La Vida es Suena) that was written in the 17th Century. The script for Wardill’s new work translates the story into contemporary London; depicting a child banished from the family home at an early age.

The work, which is set to a complex drumming sound track, comprises of still shots of objects that become characters; and a mixture of acted scenes where nothing and nobody touches.

Following its premiere at Spacex this new work will be screened at The Showroom, London. It will also be included in a major solo show at de appel, Amsterdam and at MOCA in Miami in December 2009.

Related Events

Outer Space
Wednesdays 5.30–7.30 pm
12–15yrs,  £3, booking essential.
Take the time and space to push your artistic boundaries and experiment with new materials and ideas. Members are currently working towards their Bronze Arts Award and have recently exhibited their work at The Picture House, Exeter.

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Spacex was one of five UK galleries invited by The Princes Foundation for Children and the Arts to host the Great Art Quest for primary schools in 2009. The project ran alongside Seven year Linework: a solo exhibition by Australian artist Shaun Gladwell. For the Great Art Quest Spacex invited four Exeter primary schools to visit this exhibition and take part in a series of workshops with visual artist Katy Bull and Andy Blackwell, a Storyteller, over a school term. The project was an opportunity for Spacex to welcome teachers and pupils from schools who had not visited the gallery before and to share ideas and practice with the other galleries and museums; The Hunterian Museum & Art Gallery, The Queen’s Gallery at Buckingham Palace, BALTIC Centre for Contemporary Art and the Whitechapel Gallery.

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This project offered five emerging curators from the South West a chance to take part in a research trip, a gallery placement and to research, develop and deliver an off-site project. The young curators worked closely with Spacex staff and artists James Kennard and Heath Bunting to deliver Take Place: a day of events exploring ideas around artist intervention in public spaces. Take Place was programmed alongside an exhibition by Australian artist Shaun Gladwell and responded to the aspect of his practice that celebrates the creative ‘misuse’ of public spaces.

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Juneau Projects (Philip Duckworth, Ben Sadler), Makers of the Multiverse, concept image for the pavilion, 2016 © courtesy of the artists

Juneau Projects (Philip Duckworth, Ben Sadler), Makers of the Multiverse, concept image for the pavilion, 2016 © courtesy of the artists

Spacex is pleased to present Makers of the Multiverse, a sculptural pavilion by Juneau Projects (Philip Duckworth and Ben Sadler), located for four weeks at Exeter Quay. The pavilion will function as a shop and event venue, stocked with multiples by artists and makers and hosting live events.

Makers of the Multiverse has been developed with Spacex as a project that aims to expand the way artists and makers can show and sell affordable multiples. It proposes alternatives to more traditional art world structures and hierarchies by considering artists’ engagement with the role of distribution, pricing and accessibility of artwork.

“We are really interested in looking at affordable and sustainable ways that makers can promote and sell the things they produce and do. We have always had a D.I.Y. spirit and approach in our work and, increasingly, it feels like this is a useful quality to have in terms of maintaining an artistic practice. Online methods of marketing have opened wide the possibilities for people to promote and sell their work. We’re really excited to look at how this spirit can work offline too.” – Juneau Projects

The artists will source artworks for the exhibition through an open call, inviting participants from a wide range of backgrounds and levels of experience to contribute multiples. The project has been developed from the artists’ long-standing interest in the creative impulse that makes people want to make things. Whether this is labeled arts practice, a hobby or a even a survival practice, Juneau Projects see a creative practice as an area of contention, with new systems, structures and value systems required to meet contemporary and future conditions.

In previous projects such as ‘Gleaners of the Infocalypse’, ‘Welcome to Happy Redoubt’ and ‘Animal Spirits’, Juneau Projects have attempted to consider why the urge to create and make things is a fundamental part of the human spirit, how it is inextricably tied to the evolution of society, culture and technology, and how this urge might develop and shift in response to environmental changes and the rapid acceleration of technology.

For this project they offer a pragmatic and generous invitation to artists and makers. As well as inviting makers to produce affordable editions in the form of physical objects for the exhibition, Juneau Projects will be asking contributors to consider how they could extend their creative practice to include live events and experiences, reaching audiences and customers via new platforms. In this way Makers of the Multiverse acts as a developmental resource for artists and makers as well as a public artwork.

During the months leading up to the opening of the pavilion, Juneau Projects are working with local community groups, schools, colleges, and artists to create the pavilion, fill it with artworks, and programme a four week series of public events.

Makers of the Multiverse is funded by Arts Council England, Exeter City Council, Outset South West, Exeter Canal and Quay Trust and The Farringdon House Trust. It is supported by Exeter College and The University of Exeter.

For press images, and interview requests please contact

Notes to Editors
Makers of the Multiverse
Dates: 13 May – 10 June 2017
Pavilion Opening Hours: Monday-Friday 11.30am – 2pm, Saturday & Sunday: 11am-4pm
Location: Piazza Terracina, Haven Road, EX2 4AR
Free admission (some ticketed events)

Opening Reception: Saturday 13 May 3-5pm, all welcome

Juneau Projects
Juneau Projects are Philip Duckworth, born in Iserlohn, Germany, 1976 and Ben Sadler, born in Birmingham, UK, 1977. Both live and work in Birmingham, UK. Solo exhibitions include Trappenkamp, Tate Britain, 2008; I Went to Woods, New Art Gallery Walsall, 2008; Aggressive Localism, MIMA, Middlesbrough, 2007 and Black Moss, 2006, Ikon Gallery, Birmingham, Wysing Arts Centre, Cambridgeshire, The Model, Sligo, FACT, Liverpool and Glynn Vivian Art Gallery, Swansea, John Hansard Gallery 2013. Group exhibitions include The Witching Hour, Birmingham Art Gallery, 2010, Experimenta Folklore, Frankfurter Kunsterein, Frankfurt, Germany, 2008 and the British Art Show 6, Hayward Touring: Baltic, Gateshead, International 3, Manchester, Bonnington, Nottingham, BCMA, Bristol, 2005. Philip Duckworth and Ben Sadler formed Juneau Projects in 2001. The majority of their work includes participatory elements and involves projection, sound, music, animation and installation. They are particularly interested in the rapidly increasing speed of technological development, and its associated obsolescence. Recent work has examined the overlap between performance as musicians, sculpture and installation.

Spacex is a contemporary art commissioning organisation. It was set up by an artist collective in 1974 in a 19th Century warehouse, between the High Street and the quayside. The original purpose was to offer affordable studio space to artists and a venue in which they could exhibit their work. In the early 1990s Spacex became a registered charity and a publicly funded contemporary gallery. Our pioneering programme has received ongoing critical acclaim. In 2016 Spacex moved from 45 Preston Street to a new project base at the Exeter Phoenix in central Exeter.

Multiples and Editions
Source: Wikipedia
In printmaking, an edition is a number of prints struck from one plate. This may be a limited edition, with a fixed number of impressions produced on the understanding that no further impressions (copies) will be produced later, or an open edition limited only by the number that can be sold or produced before the plate wears. An Artist’s multiple is similar to an edition – a series of identical art objects produced by an artist. These could be multiples of a 2D print, 3D sculpture, or installation piece. The multiple offers artists a way of selling work without compromising their artistic integrity and makes their work accessible to a wider market.

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