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7.00pm to 9.00pm Free, ages 16+, booking essential 

Crafty Social is an opportunity to visit the exhibition, socialise and make work inspired by what you see. Led by Catherine Cartwright of Double Elephant Print Workshop, expect a focus on materials, texture and printing.

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Venue: Exploration Lab 1, The Forum, University of Exeter, Stocker Rd, Exeter, Devon EX4 4SZ

This interdisciplinary symposium will consider the significance of ‘edgelands’ and other marginal spaces, neither urban nor rural, as sites for artistic inquiry, and as cultural spaces. Spacex’s current exhibition ‘Soft Estate’ (open until Saturday 3 May 2014) features artworks exploring the marginal spaces of contemporary motorway landscapes.

Defined as a type of terrain ‘apparently unplanned, certainly uncelebrated and largely incomprehensible’ by environmentalist Marion Shoard, ‘edgelands’ have frequently been a source of inspiration for artists and writers.

Symposium speakers include Edward Chell, academic and lead artist of Spacex’s current exhibition ‘Soft Estate’; Dr. Caitlan DeSilvey, geographer and senior lecturer in Environmental Social Science, University of Exeter; Laura Oldfield Ford, artist and psycho-geographer; Joanne Lee, artist, writer, publisher and senior lecturer in Fine Art, Nottingham Trent University; Dr Jos Smith, associate research fellow, University of Exeter.

A light lunch can be pre-booked via Eventbrite for £4.89.

Art of the Edgelands Speaker Biographies

Edward Chell, artist and senior lecturer in Fine Art, UCA Canterbury, was awarded an AHRC Research Fellowship for the development of the ‘Soft Estate’ project. His work is rooted in painting although working across media in exploring the site specific. His work foregrounds conflicting storylines within the spatial environment, aiming to capture the collisions between values and meaning we bring to our experience of place, with a particular focus on borders and peripheral places that present a form of ‘Terrain Vague’.

Caitlin DeSilvey is a geographer and senior lecturer in Environmental Social Science, University of Exeter. Her research explores the cultural significance of material change. She uses visual imagery and story-telling to engage people in imagining changing environments and places, and looks to patterns from the past to try to understand what the future might bring. She is also interested in how things age over time, and in the value of repair and mending skills to extend the lives of worn objects and encourage more sustainable use of resources.

Laura Oldfield Ford is a London-based artist, writer and psychogeographer concerned with issues surrounding contemporary political protest, urbanism, architecture and memory. She works in ballpoint pen, acrylic, and spray paint. Between 2005-2009 she published a zine, Savage Messiah, which has been reproduced in book form by Verso Books, and was listed by Hari Kunzru of his ‘book of the year’ in 2011. Laura Oldfeild Ford continues to publish Savage Messiah in the form of a blog, confronting the polite veneer of redevelopment spectacle.

Joanne Lee is a Brighton-based artist, writer and publisher and senior lecturer in Fine Art, Nottingham Trent University. Her work uses words and pictures to explore a curiosity about everyday life and the ordinary places in which she lives and works. Much of her activity emerges through a series of publications under the imprint of the Pam Flett Press, where she explores the visual, verbal and temporal possibilities of the ‘essay’: the 4th issue investigates ideas of the ‘Vague terrain’.

Jos Smith is a British Academy post doctoral research fellow in the English Department, University of Exeter. His project explores the history of the literary and visual arts communities connected with the arts and environmental charity Common Ground. He works within the environmental humanities with a focused interest in landscape and place in contemporary fiction, literary non-fiction and poetry. He is co-director of Exeter’s Centre for Literatures of Identity, Place and Sustainability and an active member of the Atlantic Archipelagos Research Project.

Phil Smith (the Crab Man) is a performer, writer, teacher and researcher, specialising in making performances based on walking and in heritage sites. Author of ‘Mythogeography’ (Triarchy Press, 2010) and ‘Counter-Tourism: The Handbook’ (Triarchy Press, 2012) and co-author of ‘Walking, Writing and Performance’ – (Intellect, 2009).He is the company dramaturg and a founding member (1981) of TNT Theatre (Munich) and is a core member of site-based artists group Wrights & Sites (Exeter, UK). He is Reader in Theatre and Performance at the Plymouth University and a visiting lecturer at the University of Exeter.

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3.00pm to 5.00pm
Free

Join us for the opening of ‘Soft Estate’. Edward Chell will lead a guided tour of the exhibition at 4pm.

 

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With much regret this event has had to be cancelled. Animated Exeter continues to 22 February 2014.

Tal Rosner, BAFTA-winning artist and filmmaker, is the lead artist on Animated Exeter’s feature event, LIGHTSTREAM , taking place on Exeter’s Fore Street on 14 and 15 February from 7pm to 9pm. He will talk with Karen Alexander, senior tutor in the Royal College of Art’s Curating Contemporary Art course, about this project and his work in the field of contemporary video art.

Tal Rosner
Tal Rosner is BAFTA-winning artist and filmmaker. His work on multi-disciplinary collaborations, from orchestral music and contemporary dance to television graphics, has been described as ‘most astounding’ (The Times) ‘ingenious’ (Variety) and ‘heralding a new genre’ (The New Yorker). With a unique style of digital craftsmanship, he stands out at the forefront of international moving image practice, both on screen and on stage.

Karen Alexander
Karen Alexander is currently a senior tutor in the Royal College of Art’s Curating Contemporary Art department with responsibility for the work-based pathway (Inspire). Prior to that she worked as a film curator and freelance consultant on film exhibition and distribution. She has contributed to several books on film including British Cinema of the 90s (1997), Women and Film: Sight & Sound Reader (1999), and If Looks Could Kill (2008). From 1998 until 2006 she worked at the British Film Institute, with responsibility for the strategic marketing of BFI Distribution and Archive cinema releases.

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 8-10am, all ages, free drop-in 

You are invited to visit the exhibition and have breakfast with Spacex staff. Great quality local food, drinks, and a warm welcome supplied.

Gallery Breakfast has been cancelled due to the weather. We apologise for any inconvenience. 

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Support from Sketchy, 7.00pm to 10.00pm, £6, at Spacex

Booking essential via Exeter Phoenix Box Office on 01392 667 080 or you can book online here

‘Sleaford Mods deal in grotty, cheap, abrasive, two-bit punk ferocity.’ NME, November 2013

Sleaford Mods play the first Infinity Social Club at Spacex. The group started out sometime during 2006 whilst Jason Williamson was living in Nottingham. Born out of part frustration and part accident, it quickly found its feet as an aggressive verbal onslaught on all that is contrived and connected to the day-to-day hammer of low paid employment and domestic situations arising from that trap. After a year of working ideas out in both the studio and in live performance around Nottingham, Williamson moved south and took the cause to London for a couple of years, before returning to Nottingham in 2009. Soon after that he that he met Andrew Fearn and the Sleaford Mods became a duo.

‘The filth and the fury are clad in righteous wit, and there isn’t a weak track among the dozen here.’ The Wire on ‘Austerity Dogs’, June 2013

Infinity Social Club is Spacex’s new alliance for those interested in live music and performance.

17 January 2014

7-9pm, free, booking essential 

Join us for a relaxed evening of crafting with a variety of materials inspired by the exhibition.

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3–5pm, free

Join us for the opening of the exhibition. Bettina Buck and Marie Lund will be in conversation from 4pm.

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10am–5pm, all ages, free

Snowgum, a performance of magical actions involving chewing gum, will be performed throughout the day to mark the end of the exhibition.

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