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Spacex is pleased to present a new project by Simon Pope, which will be split over two sites at Spacex and Exeter Cathedral. Pope plans to restore a stone figure from Exeter Cathedral which his great grandfather crafted over 90 years ago and has great significance for five generations of his family. Rather than use the Cathedral’s extensive archive for reference, the figure will be carved from the memory of the artist’s grandmother working in dialogue with a local stonemason.

The installation at Spacex will comprise an audio recording between Pope’s grandmother and the stonemason including the conversations and process of interpretation, imagining and reconstruction.This form of documentation will capture the process of translating the figure from memory to speech to dialogue to drawing and towards its final form.

The second stage of the project will be the display of the maquette created by the stonemason at Exeter Cathedral. As with some of Pope’s previous work, this project brings together artists from traditional bases, craft-based in character into proximity with contemporary practice – opening one approach to another and vice versa. The carving has been a touching point for Pope’s family and their time in Exeter. Through a process of dialogue with the artist’s grandmother and a stonemason from Exeter Cathedral the image and form of the figure will be retrieved, brought back from its deteriorated state and the new figure will be displayed in the Cathedral.

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Spacex is pleased to present the first solo exhibition in the UK of Canadian artist Laura Kikauka. Kikauka has been exhibiting installation work, electro-mechanical sculpture, and performing since the early 1980s.

For this exhibition, the entire gallery space will be transformed, creating a completely immersive environment of densely structured works of bizarre objects in florid excess. Kikauka works with the things that others throw away creating spectacular interiors from disposed and superfluous things.

Kikauka mainly relies on found objects to transform her life and surroundings into thematic environments. She regards and appreciates supermarkets, thrift and surplus stores, flea markets and rubbish dumps as contemporary cultural ‘museums’ and carefully sorts the chaos of her finds.

Kikauka’s ‘excessive aesthetic’ addresses issues of consumer culture; the question of good and bad taste; and celebrates failure in a humourous and ironic manner. The work raises questions about taste, waste, consumerism, collections and consumption. These are all pertinent issues which reflect current debates concerning the environment, mass culture and capitalism.

Exhibition Launch
Saturday 7 March 3-5pm with a talk by Laura Kikauka at 4pm, all welcome.

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Spacex is pleased to announce a solo exhibition of work by German artist Christiane Baumgartner. Baumgartner lives and works in Leipzig, a German city famous for printmaking. She is well known for her monumental monochrome woodcuts taken from her own film and video stills.

The exhibition will comprise of a new body of work which includes Solaris I, Solaris III, Solaris IV, 2008, Deutscher Wald, 2007 and Final Cut, 2006. The images demonstrate Baumgartner’s fascination with speed and the passage of time, a recurring theme throughout the work. This notion of ‘time’ is also embodied in her artistic process, which involves the lengthy and painstaking medium of woodcut.

The imagery portrayed is often referred to as banal and mundane, and focuses on the everyday world in motion. We are presented with cars on a motorway, aeroplanes on a runway and passages through forests. The starkly lit road tunnels in Solaris are familiar yet appear strangely empty and static, and have the grainy quality of cctv footage or black and white television. In contrast, Final Cut combines attractive images of the sky and clouds reminiscent of holiday photographs with woodcuts of vapour trails taken from wartime footage. A sense of unease permeates the work as a military presence punctures the picturesque qualities of the sunsets.

Central to her vision is the drawing together of various visual media, both old and new. Video, photography, computers, television and printing techniques are all used to convey her themes in an entirely original manner.

This exhibition has been organised with Johan Deumens Gallery, The Netherlands and in association with Alan Cristea Gallery, London.

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Spacex Gallery, Exeter has teamed up with the RSPB and First Great Western to celebrate our feathered friends in a new exhibition of children’s artwork to be displayed in nine poster cases at Exeter Central Station.

The work created by the children between 8 and 11 years old has been inspired by excursions to the Exe Estuary, the Natural History Museum and the Victoria and Albert Museum and has taken months to complete. As well as looking at our local birdlife, children taking part in the project have been researching birds from around the world, including Mexico, India and Iran. Led by artist Jenny Mellings, they have used a wide variety of techniques and materials ranging from Mexican oil cloth to pale clay to create this vibrant display.

Sponsored by First Great Western Trains and supported by Exeter City Council.

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Born in Belfast, Northern Ireland, André Stitt is considered one of Europe’s foremost performance and interdisciplinary artists. He has worked as an experimental artist since 1976 creating hundreds of unique works at major galleries, festivals, alternative venues and specific sites throughout the world. His work has been presented at the Venice Biennial, 2005; The Drawing Centre, New York, 2006; and Artspace, Sydney, 2007.

This solo exhibition will explore the hidden narratives that inform the artist’s public demonstrations through the reconstitution and recontextualisation of artworks including prints, drawings, objects and materials processed and running parallel with his public presence as a performance artist. These artworks are stocked with the stained, battered souvenirs of encounter, redolent of bodily contact and involvement, and they represent an insight into the artist’s process. These works question and reveal concerns that delight and celebrate a symbiotic relationship between the private and public.

A new publication will accompany the exhibition.

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An exhibition of photographs by students from St Peters Church of England Aided School. The group were invited by Spacex to work with artist Maddy Pethick as artists in residence. Together they explored fine art photography and themes of absence and presence.

Hidden: Celebration Event
Wednesday 17 September, 4-6pm. Free, no need to book.
To celebrate the end of this photographic exhibition by students of St Peters Church of England Aided School join us in the gallery and have your portrait taken in the mobile studio run by the young artists and find out more about Spacex’s education programme. All welcome.

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This solo exhibition consists of a new body of work including film, large scale drawings and a series of photographs taken in the harsh and vast Catalan Pyrenees. These pieces are shown alongside a selection of earlier works from Antas’ ‘Intervention’ series.

The ‘Intervention’ series feature photographs of low lying mist and clouds hovering in park landscapes. On first viewing the images appear absurd and make believe which, in many ways they are. Antas explains that the clouds were artificially created, mimicking nature and momentarily changing the landscape which he captures in a single frame.

During a residency in the Catalan Pyrenees, Antas created numerous fragile bird boxes and placed them amongst the landscape or stand alone on a mountain top. These structures were photographed in situ, the lack of inhabitants and poetic stillness emphasising the gap between the surroundings and ourselves, representing man’s failed attempt to converge with the landscape.

In a new video work Antas recorded the morning mist gently dispersing over a forest landscape in the Pyrenees. Ethereal loneliness echoes throughout this piece, which is only punctuated by a couple of birds flying over the tree tops. A selection of drawings is also included, and whilst these are monumental in scale they possess an ephemeral quality.

This exhibition has a sublime quality and romantic undercurrent, harking back to Romanticism. The works appear to be suspended in a moment that is devoid of life and action whilst a melancholic and poetic beauty resonates throughout.

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For the past ten years, Dawn Mellor has been painting portraits of celebrities, consciously misrepresenting, sexualising and violating imagery culled from photographic portraits, gossip magazines, film stills and the internet. The combination of imaginative sadistic cruelty, satire and empathy could be seen as communicating something about the use of both individuals and groups as scapegoats onto which unwanted fears and anxieties are projected.

Vile Affections has been influenced by Dante’s Divine
Comedy, the exhibition is an investigation of ‘high society’ in the form of a portrait gallery, where various ambassadors from the worlds of fashion, politics, music, film, art and literature suffer with varying degrees of dignity and respect.

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a couple thousand short films about Glenn Gould

New York based artist Cory Arcangel is an artist, musician, DJ and computer geek, well known for his approach to ‘creative hacking’ and subversive use of technology.

Arcangel’s work represents a shift in how artists and consumers alike are interacting with the world around them. By utilising the Internet as a vehicle for the proliferation of his mutations, Arcangel’s ideas can make the rounds in a fraction of the time as would have been possible years ago. Arcangel brings the viewer into his familiar world and exposes the ease to which that world can be compromised.

The main focus of the show is a major new piece of work titled, ‘a couple thousand short films about Glenn Gould’. For this two screen video installation Cory Arcangel has arranged selections of Johann Sebastian Bach’s 1741 composition The Goldberg Variations (BWV 988) for the massed ranks of hundreds of online amateur instrumentalists.

To produce this new work, Arcangel has taken numerous examples of home made videos from popular video sharing websites and re-edited them note by note into sections from Bach’s composition, each screen carrying a melodic line.

The exhibition also includes Arcangel’s work titled, I Shot Andy Warhol an 8-bit game hack, a modified version of the interactive light gun game, Hogan’s Alley. In I Shot Andy Warhol, players are asked to shoot various versions of Andy Warhol, with the player putting themselves in the role of Valerie Solanis who in 1968 attempted to gun down Andy Warhol.

‘a couple thousand short films about Glenn Gould’ is commissioned by Film and Video Umbrella in collaboration with Northern Gallery for Contemporary Art, Sunderland, Spacex, Exeter and Castlefield Gallery, Manchester. Supported by Arts Council England.

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Cory Arcangel graduated from the Oberlin Conservatory of Music with a degree in Technology in Music and the Related Arts, came to the art world through a number of internet based activities. These in turn, lead to invitations from institutions for lectures and demonstrations, a performative aspect which naturally called for the creation of digital environments. These latter pieces evolved into stand-alone art works, frequently exhibited with soundtracks created by Arcangel in collaboration with others, such as Paul B. Davis, a London based DJ.

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