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Spacex is pleased to announce an exhibition by Canadian artist, Geoffrey Farmer. Farmer is well known internationally for producing large-scale mixed media works, comprising drawing, sculpture, photography and film that are characterised by their meticulous research and conceptual rigour. He creates structures that transform and activate the gallery space and its visitors, incorporating objects, which are often in a state of flux.

The new body of work takes as its starting point a book found lying on the street titled The Last Two Million Years. Published by Readers Digest, the encyclopedia presents a description of the evolution of the earth leading up to the appearance of ‘Homo sapiens’ and the subsequent history of man from this time. Farmer uses the specificities of this chance starting point to tackle the larger themes of how we understand our existence in the world, how this is articulated through language and how this can have relevance to an individual.

The exhibition has been organised by The Drawing Room, London.

Read a review of Geoffrey Farmer The Last Two Million Years at Spacex on Drugstore gel liner pencil

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Geoffrey farmer will be exhibiting work in a group show, “The World as a Stage” at Tate Modern from October 2007 and has forthcoming solo shows at Musee d’arts contemporain de Montreal, Montreal, 2007 and Witte de With, Rotterdam, 2008.

6 October 2007

Finnish artist Eeva-Mari Haikala returns to Spacex this summer after a three month residency earlier this year. This solo exhibition will premiere a new film and a series of large format photographs produced during the residency.

The work focuses on the notion of still life within moving image and continues to explore themes from her silent ‘Tableaux Vivant’ series, which focuses upon the tradition of performance to camera.

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For two weeks the gallery will host a series of screenings, activities and workshops. The screening programme will include works by international artists Phil Collins, Christian Marclay, Sarah Morris, Grace Ndiritu, Anri Sala, Matthias Muller, Christoph Girardet, Eeva-Mari Haikala and Veli Grano.

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Fascinated by systems and patterns, Evans explores how such structures can be found even in supposed chaos. Ideas about movement, memory, time, the un-quantifiable, and aesthetic beauty inform his practice, which finds an affinity with Russell Hoban’s writings concerning ‘the moment under the moment’. He seeks to create metaphorical maps of the visible and invisible links between objects and sensations, combining the concrete and the philosophical.

Spacex presents the first solo exhibition by Peter J. Evans comprising new works which will occupy, inhabit and rupture the gallery space through intricate layered wall drawings and floor-based structures. These works seek to describe the silent spaces within each moment, when things are moving, shifting into new ground, syncing or dispersing.

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Peter J Evans is one of the most interesting emerging artists in the UK. Evans’ work has been exhibited in various group and solo exhibitions in the UK and internationally. His work is attracting a great deal of attention and he has recently shown work at the Pickled Arts Centre, Beijing; Baltic Centre for Contemporary Art, Gateshead and Kiasma, Helsinki. He will also be part of a group show at The Drawing Room, London later this year in an exhibition curated by Locus+.

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Elizabeth McAlpine works mainly with time-based media and she describes her working practice as close to geology. She tracks the repetitions and gestures inherent in popular media, extracting pieces of found material from its archive, and repositions them in ways that reveal patterns and associations previously unconsidered.

McAlpine’s exhibition at Spacex includes video work, a sound installation and sculptural and photographic pieces.

‘Quintet’ is a sound installation of spliced together coloured vinyl records that, whilst rotating, generate the illusion of three dimensional dynamic objects. McAlpine’s selection of records, based purely on colour, works as an audio-collage, jumping from one track to another at 33rpm, just as the eye jumps from spinning colour to moving object.

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Elizabeth McAlpine is based in London and studied MFA sculpture at the Slade School of Fine Art and Fine Art and Critical Theory at Goldsmiths, London. She has undertaken several residencies and commissions. Recent exhibitions and screenings include: Media Arts Festival Friesland, Netherlands, Wayne Rooney, VTO, London, PILOT:01 Limehouse Town Hall, London, I love Cinema & Cinema Loves Me, Camden Arts Centre, London. Her work was included in ALL FOR SHOW, an international touring survey of British Video Art and her piece ‘Light Reading’ has been shown in various venues throughout the UK as part of the Stella Artois After Dark Festival.

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Each of Tim Brennan’s photographic works have been created using a low-resolution mobile phone camera. Enlarged beyond pixellation, the images become blurred into an impressionistic fugue of colour, akin to Turner’s proto-abstract watercolours where form is dissolved in light to become pure colour.

Since 2002, Brennan has undertaken walks throughout northern Britain that expand upon his previous performance works. The new photographs explore the relationship between geography, personal memory and social history.

Alongside the exhibition Spacex is commissioning Tim Brennan to produce a new performance site specific to Exeter, which the artist calls a manoeuvre. This is a guided walk with original narrative specific to the area offering an imaginative insight into the locale. Tim Brennan’s ‘Manoeuvres’ take place on 2 Feb 2007 11am & 3pm. Booking essential.

Tim Brennan: The NORTH a publication accompanying the exhibition is available in paperback cost £10.00.

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Tim Brennan was born in Sunderland and is an artist, educator and facilitator who has been involved in a wide range of collaborative projects alongside artists such as Stuart Brisley and Geoff Cox. He studied at Slade School of Fine Art, London and Public History at Ruskin College, Oxford.

Formerly Assistant Director of the MA in Fine Art Administration & Curatorship, Goldsmiths College, he is currently a trustee of the UK Museum of Ordure and is an AHRB fellow at the University of Sunderland, where he directs an MA course in curating.

An NGCA touring exhibition in association with Spacex. Part of Animated Exeter 2007.


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Juneau Projects (Philip Duckworth, Ben Sadler), Makers of the Multiverse, concept image for the pavilion, 2016 © courtesy of the artists

Juneau Projects (Philip Duckworth, Ben Sadler), Makers of the Multiverse, concept image for the pavilion, 2016 © courtesy of the artists

Spacex is pleased to present Makers of the Multiverse, a sculptural pavilion by Juneau Projects (Philip Duckworth and Ben Sadler), located for four weeks at Exeter Quay. The pavilion will function as a shop and event venue, stocked with multiples by artists and makers and hosting live events.

Makers of the Multiverse has been developed with Spacex as a project that aims to expand the way artists and makers can show and sell affordable multiples. It proposes alternatives to more traditional art world structures and hierarchies by considering artists’ engagement with the role of distribution, pricing and accessibility of artwork.

“We are really interested in looking at affordable and sustainable ways that makers can promote and sell the things they produce and do. We have always had a D.I.Y. spirit and approach in our work and, increasingly, it feels like this is a useful quality to have in terms of maintaining an artistic practice. Online methods of marketing have opened wide the possibilities for people to promote and sell their work. We’re really excited to look at how this spirit can work offline too.” – Juneau Projects

The artists will source artworks for the exhibition through an open call, inviting participants from a wide range of backgrounds and levels of experience to contribute multiples. The project has been developed from the artists’ long-standing interest in the creative impulse that makes people want to make things. Whether this is labeled arts practice, a hobby or a even a survival practice, Juneau Projects see a creative practice as an area of contention, with new systems, structures and value systems required to meet contemporary and future conditions.

In previous projects such as ‘Gleaners of the Infocalypse’, ‘Welcome to Happy Redoubt’ and ‘Animal Spirits’, Juneau Projects have attempted to consider why the urge to create and make things is a fundamental part of the human spirit, how it is inextricably tied to the evolution of society, culture and technology, and how this urge might develop and shift in response to environmental changes and the rapid acceleration of technology.

For this project they offer a pragmatic and generous invitation to artists and makers. As well as inviting makers to produce affordable editions in the form of physical objects for the exhibition, Juneau Projects will be asking contributors to consider how they could extend their creative practice to include live events and experiences, reaching audiences and customers via new platforms. In this way Makers of the Multiverse acts as a developmental resource for artists and makers as well as a public artwork.

During the months leading up to the opening of the pavilion, Juneau Projects are working with local community groups, schools, colleges, and artists to create the pavilion, fill it with artworks, and programme a four week series of public events.

Makers of the Multiverse is funded by Arts Council England, Exeter City Council, Outset South West, Exeter Canal and Quay Trust and The Farringdon House Trust. It is supported by Exeter College and The University of Exeter.

For press images, and interview requests please contact

Notes to Editors
Makers of the Multiverse
Dates: 13 May – 10 June 2017
Pavilion Opening Hours: Monday-Friday 11.30am – 2pm, Saturday & Sunday: 11am-4pm
Location: Piazza Terracina, Haven Road, EX2 4AR
Free admission (some ticketed events)

Opening Reception: Saturday 13 May 3-5pm, all welcome

Juneau Projects
Juneau Projects are Philip Duckworth, born in Iserlohn, Germany, 1976 and Ben Sadler, born in Birmingham, UK, 1977. Both live and work in Birmingham, UK. Solo exhibitions include Trappenkamp, Tate Britain, 2008; I Went to Woods, New Art Gallery Walsall, 2008; Aggressive Localism, MIMA, Middlesbrough, 2007 and Black Moss, 2006, Ikon Gallery, Birmingham, Wysing Arts Centre, Cambridgeshire, The Model, Sligo, FACT, Liverpool and Glynn Vivian Art Gallery, Swansea, John Hansard Gallery 2013. Group exhibitions include The Witching Hour, Birmingham Art Gallery, 2010, Experimenta Folklore, Frankfurter Kunsterein, Frankfurt, Germany, 2008 and the British Art Show 6, Hayward Touring: Baltic, Gateshead, International 3, Manchester, Bonnington, Nottingham, BCMA, Bristol, 2005. Philip Duckworth and Ben Sadler formed Juneau Projects in 2001. The majority of their work includes participatory elements and involves projection, sound, music, animation and installation. They are particularly interested in the rapidly increasing speed of technological development, and its associated obsolescence. Recent work has examined the overlap between performance as musicians, sculpture and installation.

Spacex is a contemporary art commissioning organisation. It was set up by an artist collective in 1974 in a 19th Century warehouse, between the High Street and the quayside. The original purpose was to offer affordable studio space to artists and a venue in which they could exhibit their work. In the early 1990s Spacex became a registered charity and a publicly funded contemporary gallery. Our pioneering programme has received ongoing critical acclaim. In 2016 Spacex moved from 45 Preston Street to a new project base at the Exeter Phoenix in central Exeter.

Multiples and Editions
Source: Wikipedia
In printmaking, an edition is a number of prints struck from one plate. This may be a limited edition, with a fixed number of impressions produced on the understanding that no further impressions (copies) will be produced later, or an open edition limited only by the number that can be sold or produced before the plate wears. An Artist’s multiple is similar to an edition – a series of identical art objects produced by an artist. These could be multiples of a 2D print, 3D sculpture, or installation piece. The multiple offers artists a way of selling work without compromising their artistic integrity and makes their work accessible to a wider market.

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Spacex has been an Arts Award centre since 2007. Arts Award offers a range of unique qualifications that support children and young people to grow as artists and arts leaders, and inspires them to connect with the wider art world. There are no entry requirements, apart from having an interest in exploring new creative experiences, and undertaking challenges in an art form, from fashion to film making, pottery to poetry.

In our latest Arts Award projects, children from Ladysmith Junior School, Exeter, and the Devon Youth Inclusion Support Programme have achieved Arts Award Explore, and Arts Award Discover. Children visited exhibitions at Spacex, took part in artist led activities, recorded what inspired them, and created their own artworks which were then exhibited in the gallery.

This autumn we are offering all children aged five and over the chance to find out about Arts Award and achieve their first certificate. To find out more, you are invited to come along to ‘Introducing Arts Award’ on Saturday 13 September.

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British artist Katy Dove presents a selection of new and recent animated films alongside print based works. Dove’s work can be interpreted as a kind of aesthetic essentialism, or the distillation of the everyday into fundamental shapes, sounds and colours.

The centrepiece of the exhibition is a new film work entitled Meaning in Action (2013). The film explores ideas relating to inner and outer mental space. Through capturing different actions – repetitive mark making on fabric, the geometry that stems from movement of the hand and the process of ink drying slowly on wet silk; movement, shape, and texture are formed. These are edited with close up footage of bodily movement, the resulting images reflect a psychological state inherent in these actions.

Dove’s work starts with a process of intuitive mark making often in the form of drawings and watercolours. These serve as raw material for animations, watercolour paintings and works on paper. The majority of the sound that accompanies the film works is produced by the artist. Three animations, Luna (2004), Sooner (2007) and October (2011), shown back-to-back on a single screen, offer an insight into the progression of Dove’s film work.

A series of six etchings and paintings from 2009–10 entitled Six Audio Visual Musical Forms will be on display. Dove has used text, pattern and diagrammatic forms to describe music, some of which hint at musical notation, others describing sound in a more textural way.

Two photographic works under the collective title Make a Shape (2007) stem from collaborative work with Edinburgh-based choreographer Sheila Macdougall. These mark the beginning of an interest in choreography, which continues to be explored in Meaning in Action. Copies of Make A Shape will be available to purchase in the gallery.

12 December 2012