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6 October 2007

Finnish artist Eeva-Mari Haikala returns to Spacex this summer after a three month residency earlier this year. This solo exhibition will premiere a new film and a series of large format photographs produced during the residency.

The work focuses on the notion of still life within moving image and continues to explore themes from her silent ‘Tableaux Vivant’ series, which focuses upon the tradition of performance to camera.

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For two weeks the gallery will host a series of screenings, activities and workshops. The screening programme will include works by international artists Phil Collins, Christian Marclay, Sarah Morris, Grace Ndiritu, Anri Sala, Matthias Muller, Christoph Girardet, Eeva-Mari Haikala and Veli Grano.

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Fascinated by systems and patterns, Evans explores how such structures can be found even in supposed chaos. Ideas about movement, memory, time, the un-quantifiable, and aesthetic beauty inform his practice, which finds an affinity with Russell Hoban’s writings concerning ‘the moment under the moment’. He seeks to create metaphorical maps of the visible and invisible links between objects and sensations, combining the concrete and the philosophical.

Spacex presents the first solo exhibition by Peter J. Evans comprising new works which will occupy, inhabit and rupture the gallery space through intricate layered wall drawings and floor-based structures. These works seek to describe the silent spaces within each moment, when things are moving, shifting into new ground, syncing or dispersing.

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Peter J Evans is one of the most interesting emerging artists in the UK. Evans’ work has been exhibited in various group and solo exhibitions in the UK and internationally. His work is attracting a great deal of attention and he has recently shown work at the Pickled Arts Centre, Beijing; Baltic Centre for Contemporary Art, Gateshead and Kiasma, Helsinki. He will also be part of a group show at The Drawing Room, London later this year in an exhibition curated by Locus+.

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Elizabeth McAlpine works mainly with time-based media and she describes her working practice as close to geology. She tracks the repetitions and gestures inherent in popular media, extracting pieces of found material from its archive, and repositions them in ways that reveal patterns and associations previously unconsidered.

McAlpine’s exhibition at Spacex includes video work, a sound installation and sculptural and photographic pieces.

‘Quintet’ is a sound installation of spliced together coloured vinyl records that, whilst rotating, generate the illusion of three dimensional dynamic objects. McAlpine’s selection of records, based purely on colour, works as an audio-collage, jumping from one track to another at 33rpm, just as the eye jumps from spinning colour to moving object.

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Elizabeth McAlpine is based in London and studied MFA sculpture at the Slade School of Fine Art and Fine Art and Critical Theory at Goldsmiths, London. She has undertaken several residencies and commissions. Recent exhibitions and screenings include: Media Arts Festival Friesland, Netherlands, Wayne Rooney, VTO, London, PILOT:01 Limehouse Town Hall, London, I love Cinema & Cinema Loves Me, Camden Arts Centre, London. Her work was included in ALL FOR SHOW, an international touring survey of British Video Art and her piece ‘Light Reading’ has been shown in various venues throughout the UK as part of the Stella Artois After Dark Festival.

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Each of Tim Brennan’s photographic works have been created using a low-resolution mobile phone camera. Enlarged beyond pixellation, the images become blurred into an impressionistic fugue of colour, akin to Turner’s proto-abstract watercolours where form is dissolved in light to become pure colour.

Since 2002, Brennan has undertaken walks throughout northern Britain that expand upon his previous performance works. The new photographs explore the relationship between geography, personal memory and social history.

Alongside the exhibition Spacex is commissioning Tim Brennan to produce a new performance site specific to Exeter, which the artist calls a manoeuvre. This is a guided walk with original narrative specific to the area offering an imaginative insight into the locale. Tim Brennan’s ‘Manoeuvres’ take place on 2 Feb 2007 11am & 3pm. Booking essential.

Tim Brennan: The NORTH a publication accompanying the exhibition is available in paperback cost £10.00.

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Tim Brennan was born in Sunderland and is an artist, educator and facilitator who has been involved in a wide range of collaborative projects alongside artists such as Stuart Brisley and Geoff Cox. He studied at Slade School of Fine Art, London and Public History at Ruskin College, Oxford.

Formerly Assistant Director of the MA in Fine Art Administration & Curatorship, Goldsmiths College, he is currently a trustee of the UK Museum of Ordure and is an AHRB fellow at the University of Sunderland, where he directs an MA course in curating.

An NGCA touring exhibition in association with Spacex. Part of Animated Exeter 2007.


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7 October – 2 December 2006
Liverpool Biennial: 16 September – 26 November 2006
Spacex: 7 October – 2 December 2006
Performance: September 2006 – January 2007

The first solo exhibition in the UK by He Yun Chang takes place at Spacex and in the Liverpool Biennial at 2 Jordan Street. Over the last eleven years He Yun Chang has created solo performances in which he places exceptional physical demands upon himself.

The exhibitions showcase different works in each venue comprising large scale photographs and a series of films documenting He Yun Chang’s extreme performances. It includes Casting, for which the artist embedded himself in a concrete block for 24 hours; and Eyesight Test where he stared directly at 10,000 Watts of electric light for 60 minutes.

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Touring Round Great Britain With A Rock is He Yun Chang’s most challenging and ambitious performance to date and it is set to become a landmark project in the history of durational performance art. Starting at a point on the Northumberland coast, He Yun Chang has casually selected a rock and set off to carry it around the island of Great Britain in a counter clockwise direction, eventually to return the rock to the exact location from where it was taken. The route is a rough circumnavigation of Great Britain, rather than following the precise coastline, a distance of about 2000 miles. He Yun Chang: Works is co-produced by Spacex and amino and funded by Arts Council England. Touring Round Great Britain with a Rock is commissioned by amino.

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18 October 2006, 6.30pm
Booking essential. Free
Curator Nicola Hood leads a guided tour of the exhibition, followed by questions and discussion over drinks.

18 November 2006, 2.00pm
£3 (£2) Booking essential
What is Performance Art?
Find out more about performance art by attending this performance lecture conceived and created by Joshua Sofaer in association with Tate Modern and the Live Art Development Agency.

23 November 2006, 6.30pm
30 November 2006, 6.30pm
View the exhibition and enjoy free refreshments and activities

25 November 2006, 2.00pm
Booking essential. Free. Interpreted talk
He Yun Chang stops off at Spacex having completed around half of his 3000 mile walk around Great Britain.

14 October 2006, 2.00pm
Free drop-in event for families
Families are invited to come and create some great action-portraits.

24 October 2006, 10.30am
For under 5 yr olds
Booking essential. Free
Join artist Kathy Norris for activities relating to the exhibition.

25 October 2006, 10.00am
10am–12pm: 6–8 yr olds
1–4pm: 9–13 yr olds, £5 (£4)
The Double Elephant Print Workshop’s mobile studio comes to Spacex for this workshop. Work with printmaker Emma Molony to devise a poster inspired by an iconic image from one of He Yun Chang’s performances.

26 October 2006, 10.00am
For 9–13 yr olds, £6 (£5)
Create a piece of live art inspired by He Yun Chang’s amazing physical performance works.

26 October 2006, 10.00am
For 9–13 yr olds, £6 (£5)
Artist Vicky Smith leads this workshop for budding young photographers. Learn about time-lapse photography, framing and taking action-shots.

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Jordan McKenzie’s work explores drawing and other processes of mark making in relation to the human body.

On the opening night, Jordan McKenzie will set out on a 4-hour performance, At Arms Length. Taking place across Exeter, it involves the artist manoeuvring a cube the length of his arm and drawing upon the surfaces with graphite. It starts from Exeter Cathedral Yard and the audience can follow the artist on his route to reach the final destination at Spacex and attend the preview of his exhibition. The cube will reside at Spacex for the duration of the exhibition as a trace of the action that took place.

The exhibition showcases newly commissioned work for Spacex, alongside existing pieces exploring drawing, performance and the process of mapping the body within an architectural space.

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Jordan McKenzie’s work is not concerned with presenting drawings as finished works of art but rather as processes, bodily acts exploring the sensuous language of gesture. The artist will create the works at Spacex the week before the exhibition opens, drawing directly on to the walls and floor and temporarily altering the physical space of the gallery. The title of the exhibition makes reference to Leonardo Da Vinci’s Vitruvian man: an image of man whereby the body is reduced to a set of ‘universal’ and ‘perfect’ measured dimensions. All the works in the exhibition use the measurement of the artist’s own body to create a group of drawings that explore the notion of drawing as a performative act. Jordan McKenzie has exhibited nationally and internationally for over twelve years, presenting work at BALTIC, Ikon Gallery, Arnolfini and ICA. The exhibition showcases new commissioned work for Spacex. Supported by Mackenzie Glass.

Related Events

Artist’s Talk
17 August 2006, 6.30pm
Join Jordan McKenzie for an informal talk & tour of the exhibition.

Gallery Breakfast
8 September 2006, 8.00am
Drop by for an early art-fix and some breakfast.

20 September 2006, 7.00pm
With Tracey Warr, Editor of The Artist’s Body: Themes and Movements

CHILDREN & FAMILIES – Drawing in Time
10 August 2006, 10.30am
10.30am–1pm: Have fun exploring drawing & performance
2–4.30pm: Try out some traditional drawing techniques

Take Over Tuesdays – How to Draw Like a Spider
15 August 2006, 10.30am
Pre-schoolers and their adults are invited to the gallery to have fun trying out unusual drawing techniques with artist Kathy Norris.

Experimental Mark Making
17 August 2006, 10.30am
Experiment with strange drawing and mark-making techniques, from 10-pin bowling to stilt walking. Then measure your features, and create abstract images unique to the proportions of your own face.

Drawing Jamboree
28 July 2006, 12.00am
Drop in & take part in the fun packed art-making activities in the atrium. A family friendly event.


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This exhibition premiers a new film called The Forest and a series of photographs by Israeli-born British based artist Ori Gersht. In his work Ori Gersht explores landscapes embedded with both personal and historic resonance.

The forest in question surrounds Kolomyia, in the Ukraine, a remaining fragment of the once vast primeval forest that covered much of continental Europe. Although the forest was much mythologised and idealised in paintings by the German Romantic artist Caspar David Friedrich, the area was to bear witness to appalling atrocities during World War II. Ori Gersht’s connection to the region is that his relatives were to find brief and harsh haven here from Nazi persecution.

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The film is made deep in the forest, in what initially appears to be a sylvan idyll bathed in dappled pools of light. However, as the pace of the film increases, a number of trees start to fall mysteriously in front of the camera, crashing down to earth.

Many of the new photographs are taken primarily of the landscape around the forest. They have an almost fluid and bleached out appearance, through long exposures, and capturing images whilst moving. These are contrasted to very dark photographs of the trees and forest. As with the film, the work grapples with the pictorial and superficial beauty of this area and the darker horrors of its past that reside in this part of Eastern Europe.

The Forest was co-commissioned by Film and Video Umbrella in association with The Photographers’ Gallery.

Related Events

10 March 2006, 12.00am

19 April 2006, 10.30am

22 April 2006, 12.00am
Workshop in Haldon Forest with artist Martin Prothero. In association with CCANW.

18 April 2006, 10.30am

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Ann Course, Katy Dove, Simon Faithfull, Dryden Goodwin, Paul Morrison, Vong Phaophanit & Claire Oboussier
Curated by Angela Kingston

The Animators exhibition featured seven UK artists who make a variety of different kinds of artworks – what they have in common is that they all make animations.

Computer software packages now allow artists to work freely with digital imagery – and artists are making the most of the increased potential to make still images move. We tend to think of animations in terms of cartoons that have been drawn or of models moved frame-by-frame, but the term has recently expanded to include many kinds of alterations to real-time film footage.


Related Events

17 December 2005, 10.00am
Children and adults of all abilities found that they could create a simple animated sequence quickly and easily in the Animation Booth. A facilitator was on hand during the session to help explore some of the possibilities in this interactive space. There were drop-in sessions open to all, bookable children’s session, or free facilitated sessions for community groups. Animation Booth was fully accessible.

21 February 2006, 10.00am
From November 2005 to February 2006, artist and animator Jenny Mellings has been working on a short animated film with a group who attend the West Exe Day Service run by Age Concern Exeter. The outcome of their work was presented at SPACEX.

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