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As part of our ongoing research into social practice, Spacex held a series of peer-to-peer workshops in Autumn /Winter 2012 to address some of the inherent challenges within this expanding field. The workshops opened up a space to share experience, engage in peer critique and reflect critically on where theory meets practice when artists develop collaborative or participatory projects. Each session was led by a UK based practitioner with extensive experience of working with social practice; Emma Smith, Lotte Juul Petersen, Nuno Sacramento, Sophie Hope and Emily Druiff.

In order to disseminate the discussions, a small publication is planned for 2013. For further information, or if you are interested in receiving a copy please contact Bupropion xl generic vs brand

Collective Praxis is funded by Esmee Fairbairn, with additional support for participant travel bursaries from Visual Arts South West and engage.

Associated Reading 

Billing, J., Lind, M., Nilsson, L., (eds.): Taking the matter into common hands: On Contemporary Art and Collaborative Practices, Black Dog Publishing, London, 2007

Bishop, Claire, Artificial Hells: Participatory Art and the Politics of Spectatorship, Verso, London, 2012

Bishop, Claire, Participation: Documents of Contemporary Art, Massachusetts Institute of Technology Press, Cambridge Massachusetts & Whitechapel Gallery Ventures Ltd., London, 2006

Bourriaud, Nicolas, Relational Aesthetics, Les presses du reel, 1998

Freire, Paulo, Pedagogy of the Oppressed, Penguin Books, London, 1970

Helguera, Pablo, Education for  Socially Engaged Art: A Materials and Techniques Handbook, Jorge Pinto Books, Mexico City, 2011

Hope, Sophie Participating in the wrong way: Four Experiments, Cultural Democracy Editions, London, 2011*

Jackson, Shannon, Social Works: Performing Art, Supporting Public, Routeledge, London, 2011

Jahn, Marisa (ed.): ByProduct: On the Excess of Embedded Art Practices, YYZ Books, Canada, 2010

Kester, Grant, H., The One Contemporary Collaborative Art and the Many in a Global Context, Duke University Press, Durham and London, 2011

Kester, Grant, H. Conversation Pieces: Community & Conversation in Modern Art, University of California Press, Berkeley and Los Angeles, 2004

Lacy, Suzanne, Leaving Art: Writings on Performance, Politics and Public,  Duke University Press, 2010

Massumi, Brian, Semblance and Event: Activist Philosophy and the Occurrent Arts, Massachusetts Institute of Technology Press, Cambridge Massachusetts, 2011

O’Neil, Paul & Wilson, Nick, Curating and the Educational Turn, 2010

Sacramento, Nuno & Zeiske, Claudia, ARTocracy: Art Informal Space, and Social Consequence: A Curatorial Handbook in Collaborative Practice, Jovis Verlag, Berlin , 2010*

Schon, Donald, A., The Reflective Practitioner: How Professionals Think in Action, Basic Books Inc., United States, 1983

Steedman, Marijke (ed), Gallery as Community : Art, Education and Politics, Whitechapel Gallery Ventures Ltd., London, 2012*

The film ‘The Five Obstructions’ by Jorgen Leth and Lars Von Trier

* These books are available to purchase through Spacex. For further information please contact Propecia buy online usa

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Spacex is pleased to announce a solo exhibition of work by German artist Christiane Baumgartner. Baumgartner lives and works in Leipzig, a German city famous for printmaking. She is well known for her monumental monochrome woodcuts taken from her own film and video stills.

The exhibition will comprise of a new body of work which includes Solaris I, Solaris III, Solaris IV, 2008, Deutscher Wald, 2007 and Final Cut, 2006. The images demonstrate Baumgartner’s fascination with speed and the passage of time, a recurring theme throughout the work. This notion of ‘time’ is also embodied in her artistic process, which involves the lengthy and painstaking medium of woodcut.

The imagery portrayed is often referred to as banal and mundane, and focuses on the everyday world in motion. We are presented with cars on a motorway, aeroplanes on a runway and passages through forests. The starkly lit road tunnels in Solaris are familiar yet appear strangely empty and static, and have the grainy quality of cctv footage or black and white television. In contrast, Final Cut combines attractive images of the sky and clouds reminiscent of holiday photographs with woodcuts of vapour trails taken from wartime footage. A sense of unease permeates the work as a military presence punctures the picturesque qualities of the sunsets.

Central to her vision is the drawing together of various visual media, both old and new. Video, photography, computers, television and printing techniques are all used to convey her themes in an entirely original manner.

This exhibition has been organised with Johan Deumens Gallery, The Netherlands and in association with Alan Cristea Gallery, London.

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Born in Belfast, Northern Ireland, André Stitt is considered one of Europe’s foremost performance and interdisciplinary artists. He has worked as an experimental artist since 1976 creating hundreds of unique works at major galleries, festivals, alternative venues and specific sites throughout the world. His work has been presented at the Venice Biennial, 2005; The Drawing Centre, New York, 2006; and Artspace, Sydney, 2007.

This solo exhibition will explore the hidden narratives that inform the artist’s public demonstrations through the reconstitution and recontextualisation of artworks including prints, drawings, objects and materials processed and running parallel with his public presence as a performance artist. These artworks are stocked with the stained, battered souvenirs of encounter, redolent of bodily contact and involvement, and they represent an insight into the artist’s process. These works question and reveal concerns that delight and celebrate a symbiotic relationship between the private and public.

A new publication will accompany the exhibition.

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7 October – 2 December 2006
Liverpool Biennial: 16 September – 26 November 2006
Spacex: 7 October – 2 December 2006
Performance: September 2006 – January 2007

The first solo exhibition in the UK by He Yun Chang takes place at Spacex and in the Liverpool Biennial at 2 Jordan Street. Over the last eleven years He Yun Chang has created solo performances in which he places exceptional physical demands upon himself.

The exhibitions showcase different works in each venue comprising large scale photographs and a series of films documenting He Yun Chang’s extreme performances. It includes Casting, for which the artist embedded himself in a concrete block for 24 hours; and Eyesight Test where he stared directly at 10,000 Watts of electric light for 60 minutes.

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Touring Round Great Britain With A Rock is He Yun Chang’s most challenging and ambitious performance to date and it is set to become a landmark project in the history of durational performance art. Starting at a point on the Northumberland coast, He Yun Chang has casually selected a rock and set off to carry it around the island of Great Britain in a counter clockwise direction, eventually to return the rock to the exact location from where it was taken. The route is a rough circumnavigation of Great Britain, rather than following the precise coastline, a distance of about 2000 miles. He Yun Chang: Works is co-produced by Spacex and amino and funded by Arts Council England. Touring Round Great Britain with a Rock is commissioned by amino.

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Related Events

GALLERY TOUR
18 October 2006, 6.30pm
Booking essential. Free
Curator Nicola Hood leads a guided tour of the exhibition, followed by questions and discussion over drinks.

THE PERFORMANCE PACK PERFORMANCE
18 November 2006, 2.00pm
£3 (£2) Booking essential
What is Performance Art?
Find out more about performance art by attending this performance lecture conceived and created by Joshua Sofaer in association with Tate Modern and the Live Art Development Agency.

LATE NIGHT THURSDAY OPENINGS
23 November 2006, 6.30pm
30 November 2006, 6.30pm
Free
View the exhibition and enjoy free refreshments and activities

ARTIST’S TALK
25 November 2006, 2.00pm
Booking essential. Free. Interpreted talk
He Yun Chang stops off at Spacex having completed around half of his 3000 mile walk around Great Britain.

THE BIG DRAW: BOX-FRESH
14 October 2006, 2.00pm
Free drop-in event for families
Families are invited to come and create some great action-portraits.

TAKE OVER TUESDAY
24 October 2006, 10.30am
For under 5 yr olds
Booking essential. Free
Join artist Kathy Norris for activities relating to the exhibition.

PRINT-MAKING WORKSHOP
25 October 2006, 10.00am
10am–12pm: 6–8 yr olds
1–4pm: 9–13 yr olds, £5 (£4)
The Double Elephant Print Workshop’s mobile studio comes to Spacex for this workshop. Work with printmaker Emma Molony to devise a poster inspired by an iconic image from one of He Yun Chang’s performances.

TAKE ACTION
26 October 2006, 10.00am
For 9–13 yr olds, £6 (£5)
Create a piece of live art inspired by He Yun Chang’s amazing physical performance works.

PHOTOGRAPHING ACTION
26 October 2006, 10.00am
For 9–13 yr olds, £6 (£5)
Artist Vicky Smith leads this workshop for budding young photographers. Learn about time-lapse photography, framing and taking action-shots.

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