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Folk Archive is a vibrant collection of contemporary folk art put together by artists Alan Kane and 2004 Turner Prize winner Jeremy Deller. Over the last five years Deller and Kane’s ongoing research has explored both traditional and contemporary forms of popular creative expression.

From body ornament to flower arranging, knitting to custom cars, Deller and Kane have documented this fantastic array of visual art through photography, film and objects, updating what is traditionally thought of as folk art. It includes incredible objects, films, painting, performance, costume, decoration, political opinion, humour, poetry and more from our own, often overlooked, doorstep. This exhibition shows how widespread contemporary folk art is and the central role it plays in the nature of a society and its art.

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Folk Archive celebrates energetic and engaging creativity from a vast range of activities occurring throughout the UK including tar barrel rolling at Ottery St Mary. It features other material from the South West and a series of special events accompany the show.

“The stuff throbs with unmistakably current creative energy. It’s naughty, chaotic, disrespectful and, at times, clinically insane.” The Evening Standard

Folk Archive: Contemporary Popular Art from the UK is organised by Bruce Haines

Related Events

Exhibition tour

7 October 2005, 6.30pm
Join Alan Kane and Jeremy Deller for a tour of the exhibition

Knitting showdown
15 October 2005, 1.30 – 4.30pm
Take part in the Knitting Showdown with teams of knitters competing for the public vote. Sponspored by Angel Yarns and Garthenor Organic Wools. Vote for your favourite over a cup of tea and cake.

Live hand art demonstration
5 November 2005, 1.30 – 4.30pm
We welcome Angela from Star Nails to the gallery for a demonstration of nail art and henna tattoos. Come and watch the experts or design false nails yourself.

Live airbrush art demonstration
12 November 2005, 1.30 – 4.30pm
Airbrush artist John Hooper will be at work at Spacex. Examples of his work can be found worldwide on fairgrounds and commercial vehicles, spanning his 25 year career.

Half Term workshop – customise
28 October 2005
Join us for an exciting workshop.

Half Term workshop – crazy cakes
25 & 26 October 2005
Just turn up and join in the fun creative activities at Spacex.

The Tea Animations
3 November to 3 December 2005
Inmates of HMP Exeter spent three days working with animation artists Anna Aroussi and Kim Nash. Working from characters they invented through doodles, they created these short animated clips about tea.

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Scape is a site-specific installation by Phyllida Barlow at SPACEX, incorporating seven new sculptural works that will exist for the period of the exhibition only. Emotional and instinctive, Barlow’s works have earned her the accolade of being one of the UK’s most significant senior sculptors.

Alongside the exhibition is Describing Form, a new moving image touring programme from LUX which explores the way sculptures have been represented in artists’ film. Including films by Marie Menken, Hy Hirsh, Liliane Lijn, Maya Deren, Dudley Shaw Ashton, Richard Serra, Hannah Wilke, William Raban and Daria Martin. Curated by Lucy Reynolds.

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Phyllida Barlow’s installation is constructed around two project spaces at SPACEX; one a large light-filled hall with three tall windows at one end, the other an enclosed ‘white cube’ without any natural light. The materials Barlow uses are basic and everyday; wood, cloth, plaster, cardboard, paper, wool, household paint; and there is no attempt to disguise their rudimentary function in the construction of the completed works. The emphasis is upon structure and form in space.

Alongside the exhibition is a screening of Body Memory, a documentary on the ‘relational objects’ of Lygia Clark, directed by Mario Carneiro, Rio de Janeiro, 1984. Lent by Guy Brett.

Related Events

Gallery talk
13 May 2005, 6.30pm
Phyllida Barlow and Lucy Reynolds in conversation with Tom Trevor.

Scape Drop-ins
31 May & 1 June 2005
6 – 12 year olds
Come to see the exhibition and take part in creative activities in The Sculpture Room.

Artist-led workshop
Looking at Sculpture
3 June 2005
9 – 12 year olds
Work together in a group to make a large-scale sculpture in the gallery then photograph it using still and moving-image cameras.

Take over Tuesdays
14/21/29 June 2005
3 – 5 year olds
Come and take over the gallery! These sessions are led by artist Kathy Norris and engage pre-school children and parents / carers in fun creative play inspired by the exhibition.

The Sculpture Room
24 – 27 May 2005
Local community groups are invited to book a free tour of Scape and a session in The Sculpture Room, where they will be able to interact with a variety of materials and make sculptures.

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This is the first one-person gallery survey in the UK of recent film-works by Finnish artist Mika Taanila. It includes the premiere of Taanila’s new film, Optical Sound, co-commissioned by SPACEX, LUX and Kinotar.

Mika Taanila studied cultural anthropology in Helsinki, video design in Lahti, and worked as a documentary filmmaker and director of music videos, as well as an artist. A common theme is a fascination with science fiction, and the futuristic ideas and utopias of the recent past. There is a focus upon the technological dreams of the previous generation.

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In the film Futuro – A New Stance for Tomorrow (1998) Mika Taanila explores the history of an icon of space-age design, the 100% plastic Futuro House designed by Matti Suuronen in 1968; an egg-shaped, prefabricated portable building.

The film traces the short history of this structure, which symbolizes ‘the dream of the future’ of the late 1960s, examining the utopian, ‘Made-In-Finland’ vision, and also how the oil crisis put an abrupt end to the project in 1974.

Today the Futuro House stands for a utopia that almost came true.

Related Events

Take over Tuesdays
8 / 15 / 22 March 2005
3 – 5 year olds
Come and take over the gallery in this fun series of workshops for pre-school children and their parents / carers. Activities include creating dens, making up stories and making artwork inspired by Mika Taanila’s films

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Joan Heemskerk and Dirk Paesmans, aka JODI, are among the world’s most-renowned computer artists. In the early days of the web, their online artwork spread around the net like wildfire, challenging the conventions of a medium that had only just begun to emerge.

As humans, our relationship with technology is fragile. Too often, it seems that the computer is in control of us, rather than vice versa. The relationship goes both ways. The computer is shaped by us and we are shaped by the computer – often in ways we don’t fully understand. JODI’s work uses unstructured play as a way to illuminate this two-way process.

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By messing around with their computer desktop or playing video games with no intention of winning, they highlight not only the behavioural patterns of computer users but also the intentions of the computer engineers, games designers and people who market the lifestyle to us. JODI revel in both failure and playfulness as an expression of childlike resistance to a bureaucratic world. Yet to see JODI simply as anarchic virtuosos belies the sophistication of their work.

The works in Computing 101B share a fixation with surfaces, from the Macintosh desktop to the cyborg skin of Max Payne. Their work is a deliberate attempt to express their humanity (warts and all) through the computer, delving far beneath the surface of the information age to reveal the human and the absurd lurking underneath.

Related Events

2 February 2005
Geoff Cox, Joasia Krysa and Christian Nold demonstrate some productive contradictions in discussing the word of JODI

Half term drop-ins
15 & 16 February 2005
Activities for 6-12 year olds, no need to book, just drop-in for a few minutes or a few hours to take part in creative activities

11 – 19 February 2005
During January 2005 inmates of Exeter prison will have the opportunity to work with Dan Harris, a digital artist, on designing and producing a computer animation. See the results in Spacex atrium.

Stop Motion
12 & 13 February 2005
This two-day workshop is a great introduction to animating with cut-outs and models. You will design and shoot your own animated film relating to the work of JODI. Led by local artist and animator Jenny Mellings.


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Juneau Projects (Philip Duckworth, Ben Sadler), Makers of the Multiverse, concept image for the pavilion, 2016 © courtesy of the artists

Juneau Projects (Philip Duckworth, Ben Sadler), Makers of the Multiverse, concept image for the pavilion, 2016 © courtesy of the artists

Spacex is pleased to present Makers of the Multiverse, a sculptural pavilion by Juneau Projects (Philip Duckworth and Ben Sadler), located for four weeks at Exeter Quay. The pavilion will function as a shop and event venue, stocked with multiples by artists and makers and hosting live events.

Makers of the Multiverse has been developed with Spacex as a project that aims to expand the way artists and makers can show and sell affordable multiples. It proposes alternatives to more traditional art world structures and hierarchies by considering artists’ engagement with the role of distribution, pricing and accessibility of artwork.

“We are really interested in looking at affordable and sustainable ways that makers can promote and sell the things they produce and do. We have always had a D.I.Y. spirit and approach in our work and, increasingly, it feels like this is a useful quality to have in terms of maintaining an artistic practice. Online methods of marketing have opened wide the possibilities for people to promote and sell their work. We’re really excited to look at how this spirit can work offline too.” – Juneau Projects

The artists will source artworks for the exhibition through an open call, inviting participants from a wide range of backgrounds and levels of experience to contribute multiples. The project has been developed from the artists’ long-standing interest in the creative impulse that makes people want to make things. Whether this is labeled arts practice, a hobby or a even a survival practice, Juneau Projects see a creative practice as an area of contention, with new systems, structures and value systems required to meet contemporary and future conditions.

In previous projects such as ‘Gleaners of the Infocalypse’, ‘Welcome to Happy Redoubt’ and ‘Animal Spirits’, Juneau Projects have attempted to consider why the urge to create and make things is a fundamental part of the human spirit, how it is inextricably tied to the evolution of society, culture and technology, and how this urge might develop and shift in response to environmental changes and the rapid acceleration of technology.

For this project they offer a pragmatic and generous invitation to artists and makers. As well as inviting makers to produce affordable editions in the form of physical objects for the exhibition, Juneau Projects will be asking contributors to consider how they could extend their creative practice to include live events and experiences, reaching audiences and customers via new platforms. In this way Makers of the Multiverse acts as a developmental resource for artists and makers as well as a public artwork.

During the months leading up to the opening of the pavilion, Juneau Projects are working with local community groups, schools, colleges, and artists to create the pavilion, fill it with artworks, and programme a four week series of public events.

Makers of the Multiverse is funded by Arts Council England, Exeter City Council, Outset South West, Exeter Canal and Quay Trust and The Farringdon House Trust. It is supported by Exeter College and The University of Exeter.

For press images, and interview requests please contact

Notes to Editors
Makers of the Multiverse
Dates: 13 May – 10 June 2017
Pavilion Opening Hours: Monday-Friday 11.30am – 2pm, Saturday & Sunday: 11am-4pm
Location: Piazza Terracina, Haven Road, EX2 4AR
Free admission (some ticketed events)

Opening Reception: Saturday 13 May 3-5pm, all welcome

Juneau Projects
Juneau Projects are Philip Duckworth, born in Iserlohn, Germany, 1976 and Ben Sadler, born in Birmingham, UK, 1977. Both live and work in Birmingham, UK. Solo exhibitions include Trappenkamp, Tate Britain, 2008; I Went to Woods, New Art Gallery Walsall, 2008; Aggressive Localism, MIMA, Middlesbrough, 2007 and Black Moss, 2006, Ikon Gallery, Birmingham, Wysing Arts Centre, Cambridgeshire, The Model, Sligo, FACT, Liverpool and Glynn Vivian Art Gallery, Swansea, John Hansard Gallery 2013. Group exhibitions include The Witching Hour, Birmingham Art Gallery, 2010, Experimenta Folklore, Frankfurter Kunsterein, Frankfurt, Germany, 2008 and the British Art Show 6, Hayward Touring: Baltic, Gateshead, International 3, Manchester, Bonnington, Nottingham, BCMA, Bristol, 2005. Philip Duckworth and Ben Sadler formed Juneau Projects in 2001. The majority of their work includes participatory elements and involves projection, sound, music, animation and installation. They are particularly interested in the rapidly increasing speed of technological development, and its associated obsolescence. Recent work has examined the overlap between performance as musicians, sculpture and installation.

Spacex is a contemporary art commissioning organisation. It was set up by an artist collective in 1974 in a 19th Century warehouse, between the High Street and the quayside. The original purpose was to offer affordable studio space to artists and a venue in which they could exhibit their work. In the early 1990s Spacex became a registered charity and a publicly funded contemporary gallery. Our pioneering programme has received ongoing critical acclaim. In 2016 Spacex moved from 45 Preston Street to a new project base at the Exeter Phoenix in central Exeter.

Multiples and Editions
Source: Wikipedia
In printmaking, an edition is a number of prints struck from one plate. This may be a limited edition, with a fixed number of impressions produced on the understanding that no further impressions (copies) will be produced later, or an open edition limited only by the number that can be sold or produced before the plate wears. An Artist’s multiple is similar to an edition – a series of identical art objects produced by an artist. These could be multiples of a 2D print, 3D sculpture, or installation piece. The multiple offers artists a way of selling work without compromising their artistic integrity and makes their work accessible to a wider market.

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Venue: Exploration Lab 1, The Forum, University of Exeter, Stocker Rd, Exeter, Devon EX4 4SZ

This interdisciplinary symposium will consider the significance of ‘edgelands’ and other marginal spaces, neither urban nor rural, as sites for artistic inquiry, and as cultural spaces. Spacex’s current exhibition ‘Soft Estate’ (open until Saturday 3 May 2014) features artworks exploring the marginal spaces of contemporary motorway landscapes.

Defined as a type of terrain ‘apparently unplanned, certainly uncelebrated and largely incomprehensible’ by environmentalist Marion Shoard, ‘edgelands’ have frequently been a source of inspiration for artists and writers.

Symposium speakers include Edward Chell, academic and lead artist of Spacex’s current exhibition ‘Soft Estate’; Dr. Caitlan DeSilvey, geographer and senior lecturer in Environmental Social Science, University of Exeter; Laura Oldfield Ford, artist and psycho-geographer; Joanne Lee, artist, writer, publisher and senior lecturer in Fine Art, Nottingham Trent University; Dr Jos Smith, associate research fellow, University of Exeter.

A light lunch can be pre-booked via Eventbrite for £4.89.

Art of the Edgelands Speaker Biographies

Edward Chell, artist and senior lecturer in Fine Art, UCA Canterbury, was awarded an AHRC Research Fellowship for the development of the ‘Soft Estate’ project. His work is rooted in painting although working across media in exploring the site specific. His work foregrounds conflicting storylines within the spatial environment, aiming to capture the collisions between values and meaning we bring to our experience of place, with a particular focus on borders and peripheral places that present a form of ‘Terrain Vague’.

Caitlin DeSilvey is a geographer and senior lecturer in Environmental Social Science, University of Exeter. Her research explores the cultural significance of material change. She uses visual imagery and story-telling to engage people in imagining changing environments and places, and looks to patterns from the past to try to understand what the future might bring. She is also interested in how things age over time, and in the value of repair and mending skills to extend the lives of worn objects and encourage more sustainable use of resources.

Laura Oldfield Ford is a London-based artist, writer and psychogeographer concerned with issues surrounding contemporary political protest, urbanism, architecture and memory. She works in ballpoint pen, acrylic, and spray paint. Between 2005-2009 she published a zine, Savage Messiah, which has been reproduced in book form by Verso Books, and was listed by Hari Kunzru of his ‘book of the year’ in 2011. Laura Oldfeild Ford continues to publish Savage Messiah in the form of a blog, confronting the polite veneer of redevelopment spectacle.

Joanne Lee is a Brighton-based artist, writer and publisher and senior lecturer in Fine Art, Nottingham Trent University. Her work uses words and pictures to explore a curiosity about everyday life and the ordinary places in which she lives and works. Much of her activity emerges through a series of publications under the imprint of the Pam Flett Press, where she explores the visual, verbal and temporal possibilities of the ‘essay’: the 4th issue investigates ideas of the ‘Vague terrain’.

Jos Smith is a British Academy post doctoral research fellow in the English Department, University of Exeter. His project explores the history of the literary and visual arts communities connected with the arts and environmental charity Common Ground. He works within the environmental humanities with a focused interest in landscape and place in contemporary fiction, literary non-fiction and poetry. He is co-director of Exeter’s Centre for Literatures of Identity, Place and Sustainability and an active member of the Atlantic Archipelagos Research Project.

Phil Smith (the Crab Man) is a performer, writer, teacher and researcher, specialising in making performances based on walking and in heritage sites. Author of ‘Mythogeography’ (Triarchy Press, 2010) and ‘Counter-Tourism: The Handbook’ (Triarchy Press, 2012) and co-author of ‘Walking, Writing and Performance’ – (Intellect, 2009).He is the company dramaturg and a founding member (1981) of TNT Theatre (Munich) and is a core member of site-based artists group Wrights & Sites (Exeter, UK). He is Reader in Theatre and Performance at the Plymouth University and a visiting lecturer at the University of Exeter.

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10am–6pm, free drop in, no need to book

Spacex presents the first UK performance in over 4 years by Finland based, London born artist John Court. Court’s performances have captivated audiences worldwide at events such as Guangzhou Live Art Festival in China, ANTI Contemporary Art Festival in Finland (both 2010), the Venice Biennale (2005) and the Liverpool Biennial (2004).

In this performance we will witness the artist bringing together other aspects of his interdisciplinary practice including sculpture and drawing. Court will empty and adapt the largest gallery at Spacex in anticipation of this expansive presentation unfolding over an 8 hour period, an intentional reference to the 8 hour working day. The performance can be seen as a way of marking time as we witness the artist pushing his body beyond exhaustion. Throughout the performance slight movements will provide the only sounds as the artist remains silent, void of engagement with the audience.

Court will interweave personal experiences encountered throughout his life, from childhood to the present day. We will witness interactions with modified versions of familiar objects encountered throughout education such as desks, dictionaries, pencils and paper that will only function with support from the artist. Encounters with these objects will reference the difficulties that Court encountered throughout his education, the artist left school unable to read or write. The physical endurance of the 8 hour day references his experience of manual labour, having worked on building sites in and around London for many years before being introduced to art. We will then experience elements of alienation and solitude, referencing Court’s experience of living in rural Lapland, unable to speak, read or write the native language. Court will also reference his relationship with Spacex, in part by responding directly to its unique industrial architecture. Spontaneous acts will reference the moment in which the artist finds himself.

This work offers an insight into the process Court endures in producing his work, some individual pieces taking up to 400 hours to complete. Commissioned by Spacex, the performance marks the end of John Court’s first UK solo exhibition The Work Between the Lines, 29 September–24 November 2012.

John Court was born in 1969 in Bromley, Kent. He graduated from Camberwell School of Art, London in 1994 and from Norwich School of Art and Design in 1997 with a degree in Sculpture. He moved to Finland in 1997, and lives and works in Lapland, close to the Arctic Circle.


John Court Interview Part Two

In this interview, John Court offers an insight into the performance aspect of his practice.

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Born in Belfast, Northern Ireland, André Stitt is considered one of Europe’s foremost performance and interdisciplinary artists. He has worked as an experimental artist since 1976 creating hundreds of unique works at major galleries, festivals, alternative venues and specific sites throughout the world. His work has been presented at the Venice Biennial, 2005; The Drawing Centre, New York, 2006; and Artspace, Sydney, 2007.

This solo exhibition will explore the hidden narratives that inform the artist’s public demonstrations through the reconstitution and recontextualisation of artworks including prints, drawings, objects and materials processed and running parallel with his public presence as a performance artist. These artworks are stocked with the stained, battered souvenirs of encounter, redolent of bodily contact and involvement, and they represent an insight into the artist’s process. These works question and reveal concerns that delight and celebrate a symbiotic relationship between the private and public.

A new publication will accompany the exhibition.

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26 July – 24 September 2005
Artists: Muhsana Ali, Maria Thereza Alves, Taysir Batniji, Jack Beng-Thi, Jimmie Durham, Marie-Noëlle Boutin, Maxence Denis, Angela Ferreira, Kan-si, Ludovic Linard, Myriam Mihindou, Anri Sala

Universalism at Stake presents work by twelve international contemporary artists, which developed out of a series of residencies in Senegal in 2004, organised by Face à Face, Paris, and curated by Marie-Thérèse Champesme. The installations, drawings, videos and photographs that make up Universalism at Stake are presented in the UK by SPACEX as part of Africa ‘05.

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The overall theme of the project was to respond to the question of ‘universalism’ as set out by the late Léopold Senghor, the distinguished poet and President of Senegalese independence, member of the UN Human Rights Commission and founder of the African Human Rights Charter.

Artists were invited from around the world (Senegal, Gabon, Mozambique, France, Albania, USA, Brazil, Haiti, Palestine, La Réunion) to work together for a period of weeks in Joal-Fadiouth, Senghor’s birthplace and one of the first European trading posts in West Africa.

The result is a series of fascinating reflections upon questions of universalism and intercultural relations, marked by the personal history of each artist and inspired by the reading of Senghor’s texts.

Related Events

Universalism Summer School
Art Meets Global Politics
16 – 21 Year olds
August 2005
We ask: do art and politics mix? What is universalism? If you are aged between 16 adn 21 and interested in working with an artist to explore these issues and make some artwork of your own contact the gallery.

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